Interview with Graziano Porcu
President of the Alghero Foundation, Sardinia (Italy)
Interview with Graziano Porcu
President of the Alghero Foundation, Sardinia (Italy)
Graziano Porcu
President of the Alghero Foundation, Sardinia (Italy)
Graziano Porcu is President of the Alghero Foundation, the cultural and tourism body of Alghero City Council responsible for organising events, promoting the city and managing several of the area’s leading venues and attractions, including Neptune’s Grotto.
His professional career began in hospitality. He started working as a waiter in 1987, at the age of 14, and went on to gain extensive industry experience, eventually becoming Area Manager for Vime, a Spanish company based in Málaga. Throughout his career, he has worked in several countries, holding positions including Yield Manager and Events Manager for Starwood in London.
His international experience has given him a broad, multidisciplinary understanding of hospitality and tourism. Today, he also brings an entrepreneurial perspective to the sector through his involvement in non-hotel accommodation businesses.
As President, he has spearheaded the Foundation’s transition towards a Destination Management Organization (DMO) model, with particular emphasis on reducing seasonality, celebrating the city’s Catalan identity and strengthening in-house expertise.
Key initiatives developed under his leadership include the Alghero Experience brand, the “Alghero All Year Round” campaign, the Sant Miquel Festival, Cap d’Any, the Alghero Family Festival, and a lighting and projection-mapping project planned for winter 2026/2027, conceived as an interactive journey through Alghero’s history, traditions and culture.
As President of Fondazione Alghero, what do you consider the primary responsibility of a cultural and tourism institution wholly owned by the City Council in a destination with a historical identity as distinctive as Alghero’s?
I believe we must first and foremost remember that we work with public resources and therefore have a responsibility to give something back to the city. Simply organising events is not enough: we need a clear vision of the direction we want Alghero to take.
For me, this means safeguarding an identity unlike any other in the Mediterranean: that of a Catalan city in Sardinia, without reducing it to a mere expression of folklore. It also means working to ensure that tourism generates employment throughout the year, rather than only in summer.
This is why we are gradually steering the Foundation towards a Destination Management Organisation (DMO) model: an organisation capable of coordinating the city’s various stakeholders and sectors and bringing them together to work towards shared goals.
Events are a powerful means of raising a destination’s profile. What criteria does Fondazione Alghero use to select, develop and support cultural initiatives that engage the local community and attract visitors?
Our Catalan identity is one of our most distinctive features. Here, Catalan can still be heard in the streets, its heritage is reflected in the city walls, and its traditions come alive in our celebrations. This is a history spanning more than six centuries.
What we are trying to do is weave that history back into the city’s everyday life. The Sant Miquel Festival, with its castellers, or human towers, and gegants, the traditional giant figures, was born out of precisely this ambition. The same applies to our idea of gradually transforming Halloween into the Nit de les Ànimes, the Catalan version of this celebration.
We like to say that our Halloween speaks Catalan.
We also want to gradually revive the tradition of the Àliga, the eagle that represented Alghero during the era of the Crown of Aragon. We would like to bring it back to our squares and celebrations, allowing the people of Alghero to see themselves reflected in their own history, while giving visitors the opportunity to discover and experience it firsthand.
In your experience, which festivals, events or cultural activities have proved most effective in conveying Alghero’s distinctive character while encouraging visitors to stay longer and enjoy a richer experience?
Whenever we assess an event, I always ask myself a few questions: does it tell us something about Alghero, or could it take place in any other city? Does it attract visitors during the months when we need them most? Does it involve local businesses and associations?
When the answers are yes, we believe in the project.
We are building a year-round calendar, from the Alguer Summer Festival to Sant Miquel, alongside the Alghero Family Festival, the Nit de les Ànimes, Christmas and Cap d’Any.
Continuity is also essential. An event truly becomes a tourism product when it takes place year after year and people can plan their trips in advance.
Cap d’Any, our New Year celebrations, attracts the largest number of people. We hold it over several days specifically to encourage visitors to stay a little longer. This year, Alghero will also be the lead city in a regional project connecting celebrations in other town squares across Sardinia.
Sant Miquel, meanwhile, is the event that best expresses our Catalan identity, and it also attracts visitors from Catalonia.
Then there is the Alghero Family Festival, a project particularly close to my heart. Families also travel outside the peak season and tend to stay longer at their destination.
As part of the festival, we want to dedicate a special space to the Domus de Janas at Anghelu Ruju, which are included on the UNESCO World Heritage List. We want to tell children that Alghero has its very own “fairy houses”.
In addition, the new lighting project in the historic centre will run from October to March, providing another reason to visit Alghero for a winter weekend.
Tourism promotion today requires destinations to stand out in a highly competitive market. Which values, experiences and emotions do you believe should be at the heart of Alghero’s communications to establish a distinctive image in Italy and internationally?
We want Alghero to be seen as a vibrant city that does not shut down in October.
The message “Alghero All Year Round” stems directly from this vision and is the concept behind our autumn and winter campaign, including in international markets.
As a symbol, I think of red coral, which connects the sea, craftsmanship and our history.
Above all, I would like those who choose Alghero to feel at home: hearing Catalan spoken in the streets, dining on the city ramparts at sunset, or finding themselves in the midst of a celebration alongside local residents.
How does the Foundation work with tourism businesses, restaurateurs, cultural organisations, associations and residents to ensure that destination promotion truly reflects Alghero’s identity and spreads its benefits throughout the area?
If the people who welcome tourists every day do not believe in the project, promotion cannot succeed.
We work with the local town-centre business network, cultural and sports associations, tourism operators, the airport and ferry companies.
We have also created the Alghero Family brand for businesses committed to catering to families’ needs. In this way, promotion translates into a tangible service.
This winter, a covered structure at the Ivan Graziani Amphitheatre will be made available to local associations during the week.
We are also investing beyond the historic centre, for example in Fertilia, through Carnival, the Feast of Saint Mark and one of the events on the Alghero Wine Week programme.
Institutional management often requires a balance between creativity, planning and public accountability. How important is clear, coordinated governance in turning the Foundation’s cultural and tourism projects into tangible, sustainable results?
Governance is essential. Ideas alone are not enough without an organisation capable of seeing them through.
Over recent months, we have devoted considerable effort to strengthening the Foundation internally: clarifying the respective roles of those who set its strategic direction and those responsible for day-to-day management, recognising the value of our staff and introducing new working tools.
We have also decided to bring roles such as marketing manager and social media manager in-house, recruiting through open public selection processes rather than routinely relying on external consultants.
Promoting a city is a long-term undertaking. It requires people who can provide continuity and a thorough understanding of the local area.
Alghero combines heritage, coastline, gastronomy and nature with a distinctive Mediterranean atmosphere. How can the Foundation bring these assets together into coherent tourism narratives, moving beyond standalone offerings to create higher-quality experiences?
I believe we need to stop selling individual attractions in isolation.
Neptune’s Grotto, the Domus de Janas, the city walls, wine, lobster, Capo Caccia and Porto Conte are all part of the same story: that of a city whose life has always been shaped by both land and sea.
Alghero Experience was created precisely for this purpose: to bring events, attractions and services together within a single booking system.
This means that someone coming to Alghero for a concert can also discover the grotto, visit a winery or take an excursion, extending their stay by a few more days.
How does the Foundation listen to local residents’ expectations, particularly when organising events, developing new tourism initiatives or protecting places and traditions that are part of everyday life in Alghero?
Listening also means acknowledging when something does not work.
If an event causes traffic or parking problems, we should acknowledge them and work to improve things the following year.
We maintain an ongoing dialogue with neighbourhood committees, associations, local businesses and city councillors.
When it comes to traditions, the rule is simple: before proposing anything, we speak to the people who keep those traditions alive.
We also want to involve young people. For example, we are exploring an initiative with the art school and the Faculty of Architecture. The idea is for each group to “adopt” a street and decorate it with art installations, giving particular recognition to those who use recycled materials.
At a time when travellers are seeking authenticity, which experiences would you recommend to first-time visitors to help them understand Alghero’s history, its relationship with the sea, its Catalan identity and its hospitality?
I would recommend starting with a walk along the city ramparts at sunset to gain an immediate sense of Alghero’s relationship with the sea.
Then, wander through the historic centre, listen to the Catalan spoken in Alghero and step inside a coral workshop.
Visit Neptune’s Grotto, perhaps arriving by sea, and the Anghelu Ruju necropolis, which reminds us that this area’s history began long before the arrival of the Catalans.
And, of course, sit down to a meal and discover the local fish and wines.
If possible, I recommend visiting Alghero during one of its celebrations. Watching the castellers build their human towers in Alghero’s squares offers an understanding of the city that no guidebook could ever convey.
What opportunities do you see to strengthen Alghero’s collaboration with Mediterranean destinations and places connected by culture, heritage or maritime tourism, developing projects that deliver shared benefits?
Our primary network of collaboration is with Catalan-speaking territories.
We are working with Tarragona on a project centred on the tradition of castells, or human towers, while also developing an initiative dedicated to traditional festival giants in collaboration with colles geganteres, the groups that keep this tradition alive.
The idea is to alternate the two projects, holding one in odd-numbered years and the other in even-numbered years.
These relationships can lead to exchanges, press trips and joint programmes.
There is also a dimension involving the sea and transport links: flights, ferries, cruises and recreational boating. In this area, we are working closely with the airport and ferry companies.
I would also like to develop European projects with other Mediterranean cities aimed at reducing tourism seasonality, as this is a challenge many of our destinations share.
Looking ahead, what vision would you like to realise for Alghero, and what role should Fondazione Alghero play in ensuring that the city develops with balance, creativity and an international outlook?
I dream of an Alghero that thrives all year round.
A city where people working in tourism do not have to earn their entire annual income in just three months, where young people find opportunities to stay, and where visitors can return in any season.
A city proud of its Catalan identity and able to share it with the world.
The Foundation must help bring this vision to life by building a skilled in-house team, planning several years ahead, securing funding and private-sector partners, and working together with the whole city.
I want Alghero to grow, first and foremost for the people who live here, and then for those who come to visit.
The authors are responsible for the choice and presentation of the facts contained in this document and for the opinions expressed therein, which are not necessarily those of Tourism and Society Think Tank and do not commit the Organization, and should not be attributed to TSTT or its members.
This site uses cookies from Google to deliver its services and to analyze traffic. Information about your use of this site is shared with Google. By using this site, you agree to its use of cookies.